A found‑footage fever dream wrapped in a faux‑documentary bow, THE HEM (2025) drags viewers deep into the heart of Fort Worth, Texas—where the festivals are lively, the locals are chatty, and the abandoned churches apparently come with their own PR restrictions. What begins as a simple “talk to anyone with a pulse” documentary shoot quickly derails the moment the crew utters the wrong three words: haunted. collapsing. church. Suddenly, interviews dry up faster than a Texas creek in August, and the filmmakers find themselves chasing a story no one wants to touch.

IMDb sums it up neatly: “A documentary crew investigates a haunted church on the verge of collapse with one condition: they must be out by dark.” Which, of course, is exactly the kind of condition that guarantees they will not be out by dark. The setup practically begs for shaky cameras, ominous whispers, and at least one moment where someone insists, confidently and incorrectly, that everything is fine.

Written and directed by Tyler Russell and shot on location in Fort Worth, the film features Rani Alowairdi, Terri Merritt Bennett, Ryan Bijan, and a supporting cast who look convincingly terrified to be anywhere near that church. Now that it’s out on streaming, the question becomes whether this entry in the found‑footage canon brings anything fresh to the genre or simply adds another creepy church to the cinematic map. Your co‑hosts dive into the dust, dread, and documentary chaos to share their thoughts.